Thursday, April 5 -- 11 am - 5 pm -- Bally's Event Center, Demo Space D |
OFF OUR ROCKERS:
MEZZOTINT
Demonstrators: Aaron Coleman and Kirsten Flaherty
Using the 375-year-old art of mezzotint, artists Aaron Coleman
and Kirsten Flaherty will demonstrate how to prepare, ink, and print this
centuries-old technique.
Mezzotint (from the Italian word mezzo, meaning
"half", and tinta, meaning "tone") is a form of intaglio
that has been used since the seventeenth century. A rich variety of tones and
subtle gradations are a unique characteristic of the medium, and these tones
can be used to create photorealistic imagery that would not be possible to
create through any other intaglio process. Because of this, mezzotint became
popular as a method of reproducing portraits and paintings by the eighteenth
century.
During this demonstration, Coleman and Flaherty will define the
tools required, show the rocking process when preparing the plate, as well as
how to burnish and scrape an image. The artists will also review how to print a
mezzotint plate.
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ABOUT AARON COLEMAN
Aaron Coleman is an Assistant
Professor of Art at the University of Arizona. He received his MFA from
Northern Illinois University and has taught all levels and media in printmaking
at California State University Fresno and Northern Illinois University.
Coleman is a mixed media artist and printmaker creating works focused on
political and social issues. The artist's work can be found in the
collections of The University of Colorado, Wichita State University, the
Ino-cho Paper Museum in Kochi, Japan, The Yekaterinburg Museum of Art in
Yekaterinburg, Russia, and the University of Tennessee Knoxville’s Ewing
Gallery Collection and among many other public and private collections.
ABOUT KIRSTEN
FLAHERTY
Kirsten Flaherty resides in New York
as a printmaker and freelancer. She has worked at various nonprofit
institutions such as International Print Center New York, Dieu Donné Papermill,
and Manhattan Graphics Center. Flaherty holds a position on the Board of
Directors of the New York Society of Etchers and has independently curated
multiple fundraising exhibitions to benefit various non-profit organizations.
The artist’s most recent work has focused on utilizing mezzotint to further
awareness about social and environmental issues.